Albert Camus may not be a character in the second season of “Fargo,” but Noreen Vanderslice (Emily Haine) is repeatedly shown reading her way through one of his most famous texts.
The fundamental subject of the The Myth of Sisyphus is this: it is legitimate and necessary to wonder whether life has a meaning; therefore it is legitimate to meet the problem of suicide face to face.
Death and life, right and wrong, health and sickness, purpose and chance, power and impotence – such are the polar tensions “Fargo” explores. The fundamental question of philosophy for Camus was suicide – is life worth living? His ultimate answer is in fact a resounding yes. However, it also entails a recognition of humanity’s constrained freedom and a happiness nestled in a symbol of ceaseless struggle. Continue reading “Seeing “Fargo” Season Two”
Several weeks ago I hopped on my bike and pedalled my way across the bridge over Lake Burley Griffin to the National Portrait Gallery of Australia. It was a bright, sunny, and typically cold winter day in Canberra. But I was determined to see this year’s competition for the National Photographic Portrait Prize. (To go to the official prize website and see all the photographs click here.) When I got there I promptly put down my wrinkly $10 and started walking through the exhibit, still a little warm from the 40-minute ride, camera in hand. One of the great things about visiting an exhibit, including the chance to see the photographs grouped together, comparing and contrasting and considering one another, is the fact that they are much bigger than you’re likely to see on a screen.
Continue reading “Seeing the 2017 National Photographic Portrait Prize of Australia”
All together there were five of us sitting comfortably in the dark. Truth be told, I was a little surprised I wasn’t the only one there. This movie wasn’t going to break any box office records after all, and it was 10am on Friday.
I first read The Case for Christ as a teenager. My mom worked at an evangelical Christian bookstore in Red Deer, Alberta, for much of her life. It was called “Gospel Books and Music” before it relocated to much bigger premises and strategically rebranded under the banner of an American franchise: “Parables Christian Marketplace.” Thanks to online retailing and digital books, the store is now a shell of its former self, run not so much for profit as for conviction. Continue reading “Seeing: “The Case for Christ””
Taking photographs, deciding which ones are good, and posting them, comes relatively easy to me. So too does writing. But I’m someone who writes and then edits and then edits some more. I re-read what I write—yes, even emails—before I consider sending it to anyone else to read. I may even re-read it five times. I certainly don’t identify with those writers who describe their process as one where they sit down and the words flow, more or less as beautifully as Edward Gibbon’s. So when it came to building this website I had a harder time deciding what writing to post than which photographs. Here’s a brief initial post about what I hope to post and why. Continue reading “What and why”